ourdramaqueen: (drama queen)
Took LJ Maintenance long enough to sort out whatever was the problem... *hrmph*

Anyway... saw Star Trek Into Darkness last night at the IMAX and it was great! Even better than the first one from 2009, so we both thoroughly enjoyed it. Benedict was fantastic, as expected, and oh it was nice listening to his voice in that growly low register he used... *fans self* From the regulars, I particularly liked Zachary Quinto's performance. It was also nice to see Noel Clark (Mickey from Doctor Who) again, though his role was small.

Now I had heard about who John Harrison was... Spoilers - serious ones, so consider yourselves warned! )

Not sure if we'll get around to see Iron Man 3 at the cinema... we'd certainly like to, but we'll have to see.
ourdramaqueen: (the hobbit bilbo sting poster)
So as mentioned previously, we went to the midnight screening of The Hobbit last night - the IMAX HFR 3D version, to be precise. We arrived at the cinema shortly after 9:30pm already, to make sure we could still get decent seats, and a good thing too - there was already a queue. We got our copies of the lovely posters that were being handed out - for some reason you had to go to the Services counter to get them - and didn't have to stand in line long before they let us into the theater. We got some decent seats and settled in for the long wait, mostly reading to pass the time.

We were lucky in that our IMAX was one of those showing the 9-minute preview of Star Trek Into Darkness, which looked pretty damn good. There's a synposys here, if you're interested. Only a short glimpse of Benedict Cumberbatch, but the whole thing was fun, and it was received well by the audience, from what I could tell.

And then it was time for The Hobbit. We both loved it. I've seen some reviews mentioning that the pacing was a bit too slow at the start, but I didn't think so at all - it certainly wasn't slower than Fellowship, and it needed that amount of setup. The acting was superb throughout, starting with Martin Freeman, of course, who makes a wonderful young Bilbo! I also liked this younger version of Gandalf - he's less self-assured here than in LotR. The dwarves were thankfully not just comic relief, though some hardly got a line of dialogue. I hope we'll get to know them all better over films 2 and 3. Radagast was just on the right side of silly, and I love his rabbit-drawn sled. It was wonderful to see some familiar faces - Elrond, Galadriel, Saruman, Lindir (a.k.a. Figwit) - and of course Gollum, who looks even better and more realistic than the did in LotR!

Favourite scenes: )

As for the 48 fps, it didn't take me any time at all to get used to it, and I loved how crystal clear everything looked. I didn't notice it making some of the CGI creatures look fake, like some reviewers did. I also felt the pacing was appropriate and nothing dragged, so the almost 3 hours went by quickly. I was totally immersed in the world of The Hobbit - the only thing that took me out of it momentarily a few times was the lovely New Zealand scenery. :)

But yes, I utterly loved the whole experience (as did hubbie), and I'm so happy we went to the midnight screening. Now to wait a year until the next one... when will the theatrical DVD come out, I wonder?! ;D
ourdramaqueen: (Default)
From IESB.net - they talked to some of the cast, including Leonard Nimony, who had the following to say about Karl's performance as Bones:

When Karl Urban introduced himself as Leonard McCoy and shook hands with Chris Pine, I burst into tears. That performance of his, as Doctor McCoy, is so moving, so touching and so powerful that I think DeForest Kelley would be smiling, and maybe in tears as well.

I think there could hardly be any higher praise!!!! *beams* Read the rest of the interview, it's quite interesting.



On the other hand, Wolverine doesn't get high praise from the Hollywood Reporter... that's putting it mildly. Review is here (no time to copy/paste, sorry).

EDIT: And the Variety review is here - maybe a tiny bit less negative than the HR review, if you squint.
ourdramaqueen: (Default)
Apparently I just missed it - just went looking at their website, and it turns out they already posted it on 22nd! So here it is, as promised:

http://www.variety.com/review/VE1117940096.html?categoryid=31&cs=1

Posted: Wed., Apr. 22, 2009, 2:17am PT

New U.S. Release

Star Trek
By TODD MCCARTHY

The credits )

Blasting onto the screen at warp speed and remaining there for two hours, the new and improved "Star Trek" will transport fans to sci-fi nirvana. Faithful enough to the spirit and key particulars of Gene Roddenberry's original conception to keep its torchbearers happy but, more crucially, exciting on its own terms in a way that makes familiarity with the franchise irrelevant, J.J. Abrams' smart and breathless space adventure feels like a summer blockbuster that just couldn't stay in the box another month. Paramount won't need any economic stimulus package with all the money it'll rake in with this one globally, and a follow-up won't arrive soon enough.

"Star Trek" here joins the James Bond series as the long-term '60s franchises that have been most successfully rebooted, although the current accomplishment is the more surprising since, after 10 films and a succession of TV series, "Star Trek" was widely thought to have exhausted itself. While respectfully handling the Roddenberry DNA, Abrams and longtime writing cohorts Roberto Orci and Alex Kurtzman have transferred it to a trim new body that hums with youthful energy.

Read more... )



Getting excited yet, [livejournal.com profile] strawberryelfsp? ;)
ourdramaqueen: (Default)
Waiting for our CMS to finish rebooting, so here's the HR review for Star Trek:

Film Review: Star Trek
By Ray Bennett, April 20, 2009 06:56 ET

Bottom Line: J.J. Abrams gives the Starship Enterprise all it's got, and it's more than enough.
LONDON -- Putting a much-loved but over-the-hill vehicle back in shape takes more than a new battery and a lick of paint. It demands a full-bore refit, and that's exactly what J.J. Abrams has given "Star Trek."

Paced at warp speed with spectacular action sequences rendered brilliantly and with a cast so expert that all the familiar characters are instantly identifiable, the film gives Paramount Pictures a new lease of life on its franchise.

Read more... )


Haven't seen anything at Variety yet. I've only scanned other reviews so far, but it seems they're generally positive, and many of them mention Karl Urban being particularly convincing as Bones. Like this blogger:

And the actors hired do a great job of invoking the essences of their respective characters. Not the original actors, but the characters. So no, Chris Pine does not get all Shatnerian on your Trekkie Trekker Trekkie ass. But he does capture the spirit of Kirk.

That said, there is one exception – Karl Urban, who plays medical cadet Leonard ‘Bones’ McCoy. I recently watched a clip that features an dialogue exchange between his character and Pine’s Kirk.

Holy crap.

It’s like the ghost of DeForest Kelley got all Sam Wheat into Urban’s flesh suit. The man has all of Kelley’s facial expressions, vocal inflections, and body language down pat. And it’s subtle enough that it doesn’t detract from the performance. Instead, you watch the clip going, “Holy crap, it’s Bones!”


Check out the clip of Kirk and McCoy's first meeting that he linked at the end, if you haven't seen it yet. :D
ourdramaqueen: (Default)
http://www.variety.com/review/VE1117934713.html?categoryid=31&cs=1

Posted: Thurs., Sep. 13, 2007, 5:00pm PT

Toronto
Reservation Road

By TODD MCCARTHY

A Focus Features (in U.S.) release, presented with Random House Films, of a Nick Wechsler/Miracle Pictures production, in association with Volume One Entertainment. Produced by Wechsler, A. Kitman Ho. Executive producers, Dean M. Leavitt, Gina Resnick. Directed by Terry George. Screenplay, John Burnham Schwartz, George, based on the novel by Schwartz.

Ethan Learner - Joaquin Phoenix
Dwight Arno - Mark Ruffalo
Grace Learner - Jennifer Connelly
Ruth Wheldon - Mira Sorvino
Emma Learner - Elle Fanning
Lucas Arno - Eddie Alderson
Josh Learner - Sean Curley
Sergeant Burke - Antoni Corone
Steve - John Slattery
Minister - John Rothman
Norris Wheldon - Gary Kohn

A dramatic situation that should be wrenching is mostly tedious in "Reservation Road." Tale of two New England fathers, one of whom kills the other's son in a hit-and-run auto accident and takes the entire picture to fess up to it, deals with painful, elemental emotions, to be sure. But the film has no special insight into the psyches of either man, or into the broader issues of how to process profound loss or admit culpability for a heinous act. As pic offers scant emotional rewards or catharsis, it's hard to imagine auds flocking to this downbeat drama in any significant numbers.
Novel by John Burnham Schwartz, who is credited with the adaptation along with director Terry George, was well received in 1998, and has been updated mainly to place the action simultaneously with the Boston Red Sox's successful World Series drive in 2004 -- the only upbeat aspect of the story.

Read more... )
ourdramaqueen: (viggo mortensen camera)
Waaaaaaaaaaah how long until I can see this film?! Probably until the US DVD release, unless I'm lucky and can catch it in Zurich...


Eastern Promises

(U.K.- Canada)
A Focus Features (in U.S.) release presented in association with BBC Films of a Kudos Pictures/Serendipity Point Films production in association with Scion Films, in association with Astral Media, Coros Entertainment and Telefilm Canada. Produced by Paul Webster, Robert Lantos. Executive producers, Stephen Garrett, David M. Thompson, Jeff Abberley, Julia Blackman. Co-producer, Tracey Seaward. Directed by David Cronenberg. Screenplay, Steve Knight.

Nikolai - Viggo Mortensen
Anna - Naomi Watts
Kirill - Vincent Cassel
Semyon - Armin Mueller-Stahl
Helen - Sinead Cusack
Azim - Mina E. Mina
Stepan - Jerzy Skolimowski
Yuri - Donald Sumpter


By TODD MCCARTHY

A superbly wrought yarn set in the milieu of first-generation Russian mobsters in London that is simultaneously tough-minded and compassionate about the human condition, "Eastern Promises" instantly takes its place among David Cronenberg's very best films. Same could be said for Viggo Mortensen, whose tightly coiled star turn recalls the magnetic work of Hollywood's greats of yore. Appreciation by the director's fans and a wide specialized viewership is assured, but there's enough intrigue and blood and guts here for Focus to have a shot at an ever bigger audience.

Read more... )


Go Viggo go!!!

Oh and if you would like more, [livejournal.com profile] trailer_spot posted links to the hi-res trailer (in 480px and 720px size) and five clips of the film, here. :)
ourdramaqueen: (firefly inara by serenitysangel)
He gives it ***

Be warned if you're spoiler-shy, because he describes the rough outline of the story:

http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050929/REVIEWS/50926004/-1/email_headlines

I'm not sure the movie would have much appeal for non-sci-fi fans, but it has the rough edges and brawny energy of a good yarn, and it was made by and for people who can't get enough of this stuff. You know who you are.

Yes, Sir, Captain Tightpants! ;D
ourdramaqueen: (everything is illuminated sleeping)
http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050913/FILMFESTIVALS03/509130301

They took a chance. So did Liev Schreiber when he directed “Everything is Illuminated,” starring Elijah Wood as a solemn young man who goes to the Ukraine to thank the woman who saved his grandfather’s life, and meets two half-crazy guides who specialize in “tours of dead Jews.” There is the old grandfather (Boris Leskin) and his grandson (Eugene Hutz), an actor who sings with a gypsy punk band and is in his first movie. The film begins as a screwball comedy and finds a trajectory straight to the beating heart of truth, and how Schreiber controls that tonal shift in his directorial debut is hard to say, but he does. I went to see the film a second time because I felt I had been paying the wrong kind of attention when I saw a screening a month ago, and I was right about being wrong. Yes, I gave it thumbs up on TV, but I wasn’t focused on its greatness. I think it helps to see it twice, to understand the journey it takes.

Someone mentioned he'd be reviewing EII on this coming Sunday's show - I hope someone can tape and upload it, would love to see/hear what he has to say on the show!
ourdramaqueen: (everything is illuminated sleeping)
Missed it yesterday. This one is so-so.


Posted: Sun., Sep. 4, 2005

Everything Is Illuminated

A Warner Independent PicturesWarner Independent Pictures release of a Big Beach production. Produced by Marc Turtletaub, Peter Saraf. Executive producer, Matthew Stillman. Directed, screenplay by Liev Schreiber, based on the novel by Jonathan Safran Foer.

Jonathan Safran Foer - Elijah Wood
Alex - Eugene Hutz
Grandfather - Boris Leskin
Lista - Laryssa Lauret

By TODD MCCARTHY

The precocious literary gymnastics of Jonathan Safran Foer's bestselling novel have been boiled down to more elementary Holocaust-related memorabilia in 'Everything Is Illuminated.' )


ETA: I should point out this is a rather typical Variety review - yes they're usually that snobbish.
ourdramaqueen: (everything is illuminated sleeping)
It's good but somehow I get the impression the reviewer didn't read the book, despite mentioning it at the beginning...


Sep. 07, 2005

Everything Is Illuminated
By Michael Rechtshaffen

Bottom line: Leave it to Liev: Schreiber capably adds writer-director to his impressive resume with this winning take on the Jonathan Safran Foer novel. )
ourdramaqueen: (everything is illuminated sleeping)
From the Hollywood Reporter (subscribers only):

Liev Schreiber, the New York theater and film actor, searched for his roots while filming his directorial debut, "Everything Is Illuminated" in contemporary Odessa and the countryside outside of Prague. His adaptation of Jonathan Safran Foer's 2001 novel stars Elijah Wood as a young man trying to find his grandfather's Ukrainian village. Former Soviet screen star Boris Leskin and Ukrainian-born New York musician Eugene Hutz play his tour guides. "They both learned Ukrainian for the part," Schreiber said. "That's more than you could ask."

Raised in the Eastern European film tradition by his family, Schreiber brings the absurdist humor and rhythms of the films of Milos Forman, Dusan Makavejev and Emir Kusturica to the movie. Speaking by the phone from the Venice International Film Festival where the film received a 20-minute ovation, Schreiber said, "I had wanted so much to make this a European film. Jonathan and I compared stories of our grandfathers. I wanted to show their survivors' sense of humor: If you believe your life is excrement then you either drown in it or transcend it with irony. That's a distinct Eastern European trait."


Seriously, I'm so fucking excited and relieved that I could cry! I also wish I could have been there and see this, but OMFG I'M SO PROUD OF THEM!!!!! *squishes everyone involved in the making, from JSF himself to the dogs who playes Sammy Davis Jr. Jr.* Of course the wait until Christmas or whenever we really will get it here will only be more and more unbearable the more people on my wishlist have seen it... I don't think except for LOTR I've EVER awaited any film with so much anticipation and impatience! At least I'll have the NZ trip to distract me immediately beforehand...

OMFG!!!!!!!!!! *bounce squeee bounce squeee bounce squeee*

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